Big agencies have more people than ideas. That's the gap I work in.
What I make
Campaign films
One sharp idea, shot to cinema standard. Built to hold a feed and a boardroom.
E-learning people actually finish
Training built like film: story, faces, stakes. People finish what they want to watch.
Internal comms nobody skips
Town halls, change programs, CEO messages. Said once, said well, watched to the end.
Concept development and high-concept pitching
The idea on paper before you spend on production. Treatments, decks and pilot scenes your board can react to.
How it works
- 01
You tell me the problem. Plain words, no brief template.
- 02
Concept in your inbox within a week. A treatment you can say no to.
- 03
First cut in three weeks, shot wherever the story is.
- 04
Delivery in every format you need: cinema, feed, intranet, event screen.
Why a network beats an agency
You get one contact: me. Behind me sits a network of writers, DPs, editors, composers and VFX artists across Europe and LA. I bring in exactly who your film needs and nobody else. Concept in your inbox within a week. First cut in three.
Tempo
Concept within a week, first cut in three. AI carries previs, versioning and post.
One contact
You call me from first pitch to final grade. Your notes reach the people who made it the same day.
Network
Directors, DPs, editors, composers, animators and VFX houses across Europe and LA. The team gets built per film, never kept on a payroll you pay for.